Art and Documentary Photography - Loading DSC_1066.jpg

Plaque in honour of those who died fighting in 1969 against the Macoute of Papa Duvalier

Art and Documentary Photography - Loading DSC_1008.jpg

Children of Kazal

Art and Documentary Photography - Loading DSC_1010.jpg

Stone memorial to ancestors

Art and Documentary Photography - Loading DSC_1075.jpg

Family of Yayoute in their lakou

Art and Documentary Photography - Loading DSC_1030.jpg

Carrying water

Art and Documentary Photography - Loading DSC_1067.jpg

We will not forget

Art and Documentary Photography - Loading DSC_1064.jpg

Three sisters

Art and Documentary Photography - Loading DSC_1061.jpg

The coffin maker

Art and Documentary Photography - Loading DSC_1037.jpg

Haitian pig snoozing

Art and Documentary Photography - Loading scan0207.jpg

Community of Kazal, we will not forget

Art and Documentary Photography - Loading IMG_2065.JPG

Fresh writing

Art and Documentary Photography - Loading P7270868_copy.jpg

Yayoute and grandchild

News
Kazal, Haiti as Memory
sokari ekine
Jul 20, 2020
In the town of Kazal, (Casale) some 45 minutes from Port-au-Prince, there are layers of memory.  National memories,  personal memories, body memories.  Memories that traveled through Europe and Africa, TransAtlantic memories, death memories, memories of joy and living, revolutionary memories, enslaved memories.  

The majority of the people of Kazal are descendants of Polish soldiers brought to Haiti to fight for Napoleon's army.  Many refused and rather chose to join the Haitian revolutionaries.   Most of the 5,000 plus Polish soldiers died and the people of Kazal are the descendants of those who survived and who were given Haitian citizenship by Haiti's first president,  Jean-Jacques Dessalines in 1804.  Narratives of the Polish descendants in Haiti emphasize the European but the Lakou of  Yayoute shown in these photos contradicted this in their own personal reality by immediately recognizing the African.   For a few moments we became joined through the passage of time and space, together in historical reality, the memory a mix of presence and absence.  Yayoute and I were both parts of an archive of living visible bodies as well as dead invisible bodies, those who did not survive the crossing.

A second more recent memory is that of the memorial to the people of Kazal who were murdered by François [Papa Doc] Duvalier - a memory of death and collective pain.  It is pointless to ask why because terror does not come with reasoning!

On the 5th April 1969, in the village of Kazal, some 500 Haitian soldiers and macoutes [death squads] arrived in the town and began to main and kill. 25 people were killed, many injured and a further 80 people disappeared,  never to be found;  houses and property were burnt and looted and women raped.   The crime of  Cazale was to refuse to pay agricultural taxes.  The macoutes were also looking for members of the communist party who had hidden in the town.  

Kazal is a representation of Haitian memory having direct descendency from West and Central Africa and Europe to the land of the Taino people.  

Sokari Ekine

Sokari Ekine is a Queer Nigerian British Feminist, diasporic nomad, visual scholar, and activist, writer, educator seeking out new possibilities and ways of being beyond the normative and hegemony of whiteness, heterosexuality and native informers.
Website via Visura

Sokari Ekine is integrated to:
Visura site builder, a tool to grow your photography business
Visura's network for visual storytellers and journalists
A photography & film archive by Visura
Photography grants, open calls, and contests
A newsfeed for visual storytellers